/ Villa Dykova 14 / 2023
AP Atelier, Josef Pleskot, Petr Sýkora, Miloš Linhart, zahrada Zdeněk Sendler
It happens that the house has an indefinable trauma trapped inside it, which impresses you at the very first contact with it. It's as if the walls have a memory and hold a secret. When, after much thought, I decided to deal with the house in Dykova Street, I resolved to try to banish the longing from its walls. The new owner became my ally in this effort. The light let into the house did its work. It rent the veil of darkness. To confirm that the house was no longer a prisoner of gloomy moods, we decided that the windows on the ground floor would not be covered; anyone passing by on the street would catch a glimpse of the artistically painted ceilings. The house opened up and gave up its secret to the street, entering the public space. I think this decision liberated it, it started to radiate joy. The sensitively designed garden only enhances everything.
/ Fragments of memory The Treasure of St. Vitus Cathedral in Prague in Dialogue with Edmund de Waal, Josef Koudelka and Julian Rosefeldt / 2024
Kunsthalle im Lipsiusbau, Georg-Treu-Platz 1, 01067 Dresden, Germany, 16.3.2024 - 8.9.2024, AP Atelier, Josef Pleskot, collaboration Norbert Schmidt, Petr Sýkora
It can be complementary!
The exhibition space in Lipsiusbau is remarkable!
What makes it remarkable?
I'm going through it, exploring it, we're at the beginning of the work. Soon, the feeling that it is a rare space that raises its head, that makes you raise your head, begins to prevail in me. I obey and raise it. It occurs to me that I need to understand its cross-section - the cross-section. I study the section and perceive that the space is composed of heavy architectural elements - authentic old fragments and recently added new elements. But what connects them, what is their bond? I sense the pulsating space like a breath when reading a well-structured text. Heavy passages are difficult to read with long concentrated breaths. Gradually, though, the possibility of a light, relieved exhale comes. During this, stars of hope pop up before the eyes and bubbles of oxygen refresh the brain.
The space of Lipsiusbau is an artfully composed text.
It is to be the setting for the exhibition Fragments of Memory. The dominant exhibit is the treasure of St. Vitus Cathedral in Prague - a collection of precious artifacts that were collected and pieced together from scraps of history with the desire to preserve memory, to develop it, to build on it. To bear witness, to write a text about it.
There is a conviction that it can be done, that it is suitable, that such an exhibition can be of great importance here. There is even an exclamation: it can be complementary!
We will put the St. Vitus Treasure - a collection of hundreds of memory fragments - in a monumental cabinet and use it as another element to make the architectural space of the Lipsiusbau more compact.
It offers to make the complementary even more complementary.
The works of Edmund de Waal, Josef Koudelka and Julian Rosenfeld reflect on the theme of memory, explore memory, strengthen it, enrich it, continue to write it - they are to be part of the exhibition. They can add value to the testimony of an abiding interest in the essential. They can expand the text. The point will be to engage them in the rhythm of the reading.
And the library? A library holds thousands of texts, thousands of fragments of memory. Building it as part of the exhibition seems necessary. The literalness of the text need not be a bad thing.
This is the architecture of Fragments of Memory.
/ Steel footbridge for pedestrians and cyclists over the Ostravice River and the railway corridor in Ostrava / 2023
Collaboration with David Ambrose, Zdeněk Rudolf Steel structures Vladimír Janata (EXCON), concrete structures Petr Nehasil (Mott MacDonald)
A symmetrically suspended footbridge made of one massive pylon with two arms bridges the Ostravice River and the railway corridor. It connects the city of Ostrava with Dolní Vítkovice. Its strategic position significantly strengthens Ostrava's road network. The length of the supporting structure is 160.5 m. The footbridge crossing provides magnificent views of the industrial architecture - Ostrava Hradčany.
/ St. Peter and Paul steel footbridge for pedestrians and cyclists over the Berounka River in Radotín / 2023
Collaboration with David Ambrose, Zdeněk Rudolf steel structures Vladimír Janata (EXCON), concrete structures Michal Drahorád (Mott MacDonald)
A footbridge suspended from one asymmetrical pylon spans the Berounka River and connects the town of Radotín with Zbraslav and Lipenci. The length of the supporting structure is about 110 m. It replaces the footbridge from 1995 designed by AP Atelier and the static office Křístek, Trčka a spol., which was damaged by the flood in 2002.
/ The footbridge in Mladá Boleslav / 2023
Cooperation with David Ambrose, Zdeněk Rudolf steel structures Vladimír Janata (EXCON), concrete structures Petr Nehasil (Mott MacDonald)
The arched footbridge spanning the Jizera River and the cycling paths connected to it give the town new links. They connect the city with the supra-regional Greenway Jizera cycle route, bringing residents to the river and also serving as a safe access for the Škodovka workers to the U Česany area from the north. The new bridge is adjacent to existing structures on both banks. From the city it connects to the old landscape avenue and creates a stone amphitheatre overlooking the city. The total length of the steel structure is nearly 93m.
/ Hotel VP1 art / 2024
team: Ing.arch. Josef Pleskot, Ing. arch. Michaela Košařová, Zdeněk Rudolf
The buildings in question are located on Místecká Street, opposite the VP1 hotel. The existing buildings were used as a health centre and as offices for the Lower Vítkovice area. The absence of a full-day catering service for the VP1 hotel was the impetus to offer hotel guests a full restaurant service, not just breakfast as in previous years. The houses, placed in an "L" shaped plan, form a courtyard together with the enclosure wall (at Místecká Street), which houses the new restaurant extension, operating year-round as well as seasonally as a garden restaurant. The fence wall is preserved. The yard is built up only with supporting struts that carry the distribution pipes over the property. The style of the proposed extension refers to industrial buildings.
The hotel has a total capacity of 23 rooms. Of these, 6 apartments, 6 studios and 11 rooms and the interior restaurant space can accommodate up to 70 people.
/ Jitka Svobodová: Beyond the seen / 2023
https://www.ghmp.cz/vystavy/jitka-svobodova-za-hranou-videneho/ 2023 – 14. 4. - 20. 8. 2023 Kurátorka: Helena Musilová Autoři: Josef Pleskot, Michaela Košařová
Jitka Svobodová's works cannot be framed
Jitka Svobodová carefully chooses the format for her works. Its size and aspect ratio obviously play an important role. Each one is always carefully treated, whether by drawing or painting, right down to the very edge. The method of covering the entire format does not give the framer any possibility of overlapping it by even one millimeter of the frame. But not only that. The theme of the painting and the use of a real picture surface do not even allow for demarcation using moldings, mounts, free edges... If this were to happen, there would be a certain constriction of the work, which the author may not consciously, perhaps intuitively, anticipate. In order for Jitka Svobodová's paintings not to lose the important spatial overlaps that characterize them, it is simply not possible to frame them. Freedom's concept of image space is not limited by the format, but the frame would be.
The way in which Jitka Svobodová processes her themes is not centripetal. The plot of the picture is not concentrated in its epicenter, but almost absolutely outside it. Understanding is good to look for in all directions. The image itself, as a tangible artifact, captures an instructive slice of reality, which is part of an incomprehensibly boundless space. I believe that this is the great, unrepeatable and phenomenal thing about Jitka Svobodová's work.
Paintings and drawings also require a special placement on the walls that define the architectural space. They can be placed on white walls, but these degrade their visual light. They are fully effective when installed on banal gray, then they shine like pearls, they become windows (views) into the cosmos of weightless mysterious phenomena of things, into the space of the world, which is more unknown than known. The windows can be of different heights, because Jitka Svobodová's paintings have the ability to show us a scale that is different from the so-called "human" one. They allow us to experience real-world transformation that is educational and uplifting.
JP / notes of the architect / 14.3.23
/ Josef Pleskot: Cities / 2022
Museum Kampa 5/11 2022 – 12/2 2023
The exhibition Josef
Pleskot: Cities focuses on three specific urban settlements
where architect Josef Pleskot has completed the most
projects: Ostrava-Vítkovice, Litomyšl, and Prague. The four halls of
the Kampa Museum, however, present more than merely individual buildings
and projects; the exhibition seeks to convey Pleskot’s approach to
architecture and the work of his studio in a broader, more general context
and to contribute to addressing the issue of the social role of
architecture.
The project includes a
rich accompanying program, a debate meeting with Josef Pleskot, and many other
stimulating guests. In this respect, the exhibition is not intended to be just
a balanced retrospective but also an experimental search for the key questions
and challenges of today which are by no means limited to architecture.
curators: Norbert
Schmidt and Jan Skřivánek
photo: Tomáš Souček
https://www.museumkampa.cz/vystava/josef-pleskot-mesta/
/ Renewed well in South Bohemia / 2021
/ Farmhouse in South Bohemia / 2021
/ Dominican convent Prague - parlatorium / 2021
in collaboration with Norbert Schmidt and Michaela Zucconi
Photos: Benedikt Mohelník OP
/ New entrance areas of the GHMP Municipal Library / 2021
in collaboration with Michaela Košařová (born Dytrtová)
New furniture for the entrance areas of the Municipal library Gallery, 2nd floor, GHMP
Mariánské náměstí 98/1, 110 00, Old town, Prague 1
Photo: Tomáš Souček
/ DOV Ostrava Agricultural Museum / 2020
coauthor: Ing. Milan Šraml
Photo: AP atelier
A pair of halls, the so-called Veronikárny, were intended for demolition. The Dolnovítkovice park was to be expanded in their place. A group of enthusiasts for the construction of the Agricultural Museum in Ostrava convinced me and Mr. Jan Světlík that this is a good idea and that it will be worth preserving the halls.
On January 23. 2016 I drew the first idealized idea with a third hall levitating in the air. Enthusiasts liked it. The design was entrusted to Ing. Milan Šraml from the Vítkovice design group. Then I created several sketches, according to which the project and implementation were created. Milan Šraml has done so much work that he is definitely a co-author. However, there was little money for implementation, so there can be no question of perfection of execution. It was saved everywhere. Nevertheless, the result is nice, it is very close to rough sketches.
/ Pendulum / 2020
Curator: Norbert Schmidt
Academic Church of the Holy Salvator in Prague
Ash Wednesday - Good Friday 2020
Opening: 26th February 2020
Realization: Excon, a.s.
/ Rony Plesl Loft / 2019
in collaboration with Michaela Košařová and Michaela Zucconi
photo: Tomáš Mach
There are 2 studios in Šaldova Street, one of them belongs to Rony Plesl, the other to architect Vladan Běhal. Rony was his small one and Vladan his big one.
The original architect's studio with the showroom was rebuilt into a studio for designer and artist Rony Plesl.
The fundamental change of space lies in the vigorous installation and the decision to place it in the center of the layout. The construction is consistent from floor to ceiling. It is a strange hybrid - a machine that hides cavities, cut-outs, openings, and absorbs technical functions. The doubling of the columns caused structural chaos and brought anxiety into the interior. All building surfaces were unified. The original brick vaults are now abstract white, as are the walls (new and original). A perfect neutral background for artwork was achieved. Interesting is the floor, which has long been debated, the result is due to controlled chance. A layer of cheap, much diluted paint with a pinch of green was poured onto the existing concrete floor. After drying, the expected effect of a marble surface was created. A bonus of the interior is the enclosed balcony, which overlooks the courtyard, but there is no access to free space. However, as the enclosed balcony is on the ground, it was possible to incorporate naturally growing greenery directly into it. It created a green oasis. On the enclosed balcony there is a small outdoor kitchen. Sitting at a cedar table, which was used from Rony's previous studio. It was dimensioned and attached to the supporting columns of the facade. The space of the studio serves as a gallery where Rony Plesl exhibits not only his works but also the work of his colleagues - related artists. Rony has her intimate office upstairs. On the ground floor there is space for his co-workers. The studio and warehouse are located in the interior of the building.
Usable area of ground floor 151m2
Floor area: 51m2
Enclosed balcony 22m2
/ Old Masters in the Schwarzenberg palace / 2019
collaboration with Norbert Schmidt and Eva Vopátková
Curator: Marius Winzeler (National Gallery Prague)
Schwarzenberg palace, Prague Castle
National Gallery Prague
The permanent exhibition Old Masters in the Schwarzenberg Palace presents selected key artworks from the Collection of Old Masters (Hans von Aachen, Petr Brandl,
Matthias Bernard Braun, Lucas Cranach, Adriaen de Vries, Albrecht
Dürer, El Greco, Francisco José Goya, Hans Holbein, Jan Gossaert, also
known as Jan Mabuse, Rembrandt van Rijn, Jusepe de Ribera, Peter Paul
Rubens, Bartholomaeus Spranger, Karel Škréta, Simon Vouet, Michael
Leopold Willmann and others).
The display
concentrates on the period between the 16th and 18th centuries and
the pre-Renaissance tendencies in Gothic and Antiquity art as
inspirational stimuli for Renaissance and Baroque art. The exhibition is
conceived as a dialogue of the national and international impulses,
influences and changes in the spirit of the dialectic of forms, styles
and motifs.
The original
entrance to the Schwarzenberg Palace from Hradčanské Square via
the courtyard is restored.
Photo: Eva Vopátková
Exhibition guide:
Norbert Schmidt, Marius Winzeler (eds.): Old Masters in the Schwarzenberg palace, National Gallery Prague 2020
czech and english version
/ Adaptation of the piazzetta of the Vrchlický Theater using the structural composition of Zdeněk Sýkora, Louny / 2019
Ing. arch. Josef Pleskot, AP atelier Spoluautor: Mgr. Lenka Sýkorová. Spolupráce s Andrejem Škripeněm, Veronikou Škardovou a Zdeňkem Rudolfem
A square black and white geometric composition by Zdeněk Sýkora from 1962 was laid on the square and was originally painted on the fire curtain of the theater and forty years was part of its interior.(destroyed around 2001 during reconstruction of theater).
Completion 2019
Photo: Pavel Planička, Jiří Jiroutek
/ Zdeněk Sýkora / My nature / 2019
Gallery Zdeněk Sklenář, Schönkirchovský Palace, Mikulandská 7, Prague 1 - Nové Město
Curator Lenka Sýkorová, architect Josef Pleskot,
author of photos: Martin Polák
/ The Church of the Sacred Heart of the Lord - New adaptation of the liturgical space / 2018
Collaboration with Norbert Schmidt
The altar
canteen is derived from a basic geometric shape - a compressed half-shell.
Perhaps
can evoke a cup, a cup or a well, a drop, or even an abstracted heart. The
pressed half is fitted with a stainless steel spindle, giving the impression of
levitation, while serving as a sepulchrum - the relic shelter. The curved shape
of the canteen provides a certain extraordinary character to the new liturgical
site, but at the same time it finds its reflection in the original central
circular luminaire as well as in the semicircular section of the crypt. The
process cross is mounted in the hole in the right front corner of the stage. A
portable altar candle stands in its left front corner.
The stadium and the new altar canteen are made of Cara marble. The stone
underlines the permanence of the liturgical site and its correspondence and
equivalence with the existing main features of Plečnik's liturgical landscape -
with the ambones and the old main altar and the sanctuary, which we retain its
function. All new seats for celebrities and ministers are inside the original
presbytery. Sedes of the main celebrant is no longer on the top of the old
altar where the position collided with the tabernacle. It is newly placed on a
small wooden staircase with a height of two steps. It is attached to the
staircase of the main altar. It is located outside the main axis of the entire
composition. Sedes is designed as a modern stainless steel towel, supplemented
with natural cowhide leather that forms its seat and backrest.
photo: Petr
Neubert
/ Dominican Monastery Prague - New Entrance / 2018
Collaboration with Norbert Schmidt, Jiří Trčka, David Ambros and Michaela Zucconi
In 2018, the first major phase of the revitalization of the whole building was completed, giving the monastery a new entrance, a new fort and a new vertical communication, thus opening the monastery to the public space of the city, while consolidating its inner bonds according to the current needs of use. The construction of the new communication node has also been made accessible by the baroque refectory, which has been used for several years as a cultural education platform Dominican 8. The new entrance along with the staircase, the elevator and the part of the corridors are characterized by the richness of the shapes that organically develop the original Baroque substance. It is supported by the modesty of materials and colors and further enhanced by light.
Opening 2007
Photo by Tomáš Souček
/ Jiří Kolář/Grimace of the century / 2018
National Gallery, Kinsky Palace.
Curators Marie Klimesova and Milena Kalinovska.
Collaboration of Norbert Schmidt and Michaela Zucconi.
Realization 2018
Photo: National Gallery and Eva Vopátková
Zahradní domek
Collaboration with Zdeněk Rudolf
Completion 2017
Photo: Tomáš Souček
Pohřební služba Helfi, Praha 4
Collaboration with Jiří Vlach, Norbert Schmidt, Michaela Zucconi, Jiří Trčka and Zdeněk Rudolf
Completion 2018
Photo: Tomáš Souček
Rekonstrukce Vavrečkovy vily ve Zlíně
Collaboration with Markéta Jurečková, Jan Mudra, Michaela Košařová, Zdeněk Rudolf
Completion 2017
Foto: Tomáš Souček
Galerie Zdeněk Sklenář, Schönkirchovský palác, Mikulandská 7, Praha 1
Collaboration with Michaela Zucconi
Úvodní instalace: 1685 dní a nocí
Instalace: Jan Merta a Josef Pleskot
Realizace: 2017
Foto: Martin Polák
Dominican Monastery Prague - provincial office
Collaboration with Norbert Schmidt and Michaela Zucconi
Completion 2017
Foto: Tomáš Souček
2 art pro umění, Galerie Zdeněk Sklenář, Litomyšl
Completion 2017
Foto: Martin Polák
Náhrobek k hrobce rodiny Červených, Hradec Králové - Pochovský hřbitov
Completion: 2016
B. Family House in Svitavy
Collaboration with Norbert Schmidt, Michaela Zucconi and Zdeněk Rudolf
Completion 2016
Foto: Tomáš Souček
Vila in Prague 6 - Dejvice
Collaboration with Jiří Vlach, Matěj Petránek, Zdeněk Rudolf and Eva Vopátková
Completion 2016
Foto: Eva Vopátková
Jiří Sozanský: 1969 Rok zlomu
Nová budova Národního muzea v Praze
Curator: Josef Pleskot
Realization 2016
Foto: Tomáš Souček
Tvář / Příběh ztracení a touha znovunalézání
Madona z Osíka
Collaboration with Norbert Schmidt
Curators: Norbert Schmidt, Jan Royt
Completion 2016
Foto: Tomáš Souček
Mucis club of Jaromír Nohavica Heligonka, Ostrava
Collaboration with Andrej Škripeň
Completion 2016
Foto: Tomáš Souček
Jaroslav Horejc / Mistr českého art deca
Galerie hlavního města Prahy, Dům u Kamenného zvonu
Colaboration with Eva Vopátková
Curator: Olga Malá
Completion 2016
Foto: Tomáš Souček
Landek Park, lidová restaurace
Collaboration with Jiří Trčka and Norbert Schmidt
Completion 2016
Foto: Tomáš Souček
Kaple Parlamentu České republiky
Collaboration with Eva Vopátková a Norbert Schmidtem
Completion 2015
Foto: Tomáš Souček
Foyer of baroque refectory - Dominican Monastery in Prague 1
Collaboration with Michaela Zucconi, Jiří Trčka and Norbert Schmidt
Completion 2015
Photo: Tomáš Souček
Návštěvnické centrum Dolní oblast Vítkovice, Ostrava
Collaboration with Petr Sýkora a Milan Šraml
Completion 2015
Foto Tomáš Souček
Extension of Blast Furnace No. 1, Dolní Vitkovice, Ostrava
Collaboration with Petr Sýkora, Jiří Trčka
Completion 2015
Foto: Tomáš Souček
Something has not been completed
architectural installation on the facade of the Chateau Brewery in Litomyšl
Completion 2014
Foto: Tomáš Souček
Stanislav Podhrázský / Neklidná krása
Galerie hlavního města Prahy, Dům U Kamenného zvonu
Collaboration with Norbert Schmid a Michaela Zucconi
Curator: Marie Klimešová
Completion 2014
Foto: Tomáš Souček
Restoration of the Church of the Holy Family in České Budějovice
Collaboration with Norbert Schmidt
Completion 2014
Photo: Tomáš Souček
Reconstruction of the Litomyšl Chateau Brewery - eastern part
Collaboration with David Ambros and Jan Mudra
Completion 2014
Photo: Tomáš Souček
A Hearth for Václav Havel - exposition
http://www.srdceprovaclavahavla.cz/
Completion 2014
Regional Museum Revitalisation in Litomysl
Collaboration with David Ambros, Marek Barták, Daniel Kříž, Jiří Vlach, Eva Vopátková
Completion 2014
Photo: Tomáš Souček
Science and Technology Center in Ostrava
Collaboration with Miloš Linhart, Petr Sýkora, Michaela Košařová, Zdeněk Rudolf
Completion 2014
Photo: Tomáš Souček
Triple Hall Karolina in Ostrava
Collaboration with Jiří Trčka, Jan Albrecht, Michaela Košařová, Norbert Schmidt
Completion 2014
Photo: Tomáš Souček
Blast Furnace No. 1 in Ostrava
Collaboration with Jiří Trčka, Petr Sýkora, Michaela Košařová, Zdeněk Rudolf; ARS Vítkovice; Zdeněk Sendler
Completion 2014
Photo: Tomáš Souček
Energocentrum, Dolní oblast Vítkovice, Ostrava
Collaboration with Miloš Linhart and Miloš Šraml
Completion 2012
Foto: Tomáš Souček
Conversion of a gasholder at the national heritage site of Dolní Vitkovice into a Multifunctional Auditorium GONG
Collaboration with Andrej Škripeň, Michaela Košařová, Daniel Kříž, Miloš Linhart, Zdeněk Rudolf, Jiří Trčka; Jindřich Smetana (scenic technology)
Completion 2012
Photo: Tomáš Souček
Palmovka Park II - Headquarters of Metrostav in Prague Libeň
Collaboration with Jan Albrecht, David Ambros, Zdeněk Rudolf, Andrej Škripeň, Jiří Trčka, Jiří Vlach
Completion 2013
Photo: Tomáš Souček
B. Family Residence in Litomyšl
Collaboration with Norbert Schmidt, Jiří Trčka
Completion 2012
Photo: Tomáš Souček
Apartment House Procházkova 3 in Prague 4
Collaboration with Petr Sýkora, Miloš Linhart, Zdeněk Rudolf, Jiří Trčka, Matin Slavíček
Completion 2012
Photo: Tomáš Souček
Apartment House Vápencová 1 in Prague 4
Collaboration with Jan Albrecht, Michaela Dytrtová (Košařová), Daniel Kříž, Miloš Linhart, Zdeněk Rudolf, Andrej Škripeň, Jiří Vlach
Completion 2012
Photo: Tomáš Souček
Bookstore Oliva, Dominican Monastery in Prague 1
Collaboration with Norbert Schmidt
Completion 2012
Photo: Tomáš Souček
Umělecký kabinet, Ostrava
Collaboration with Jiří Vlach
Completion 2012
Foto: Tomáš Souček
1 art pro umění, Galerie Zdeněk Sklenář, Litomyšl
Completion 2011
Spring 2012
Foto: Martin Polák
Galerie S Zdeněk Sklenář, Praha 1
Collaboration with Petr Sýkora
Completion 2011
zničena výbuchem plynu
Foto: Martin Polák
Interior of an apartment, Kosárkovo nábřeží, Prague 1
Collaboration with Machaela Dytrtová (Košařová), Miloš Linhart, Zdeněk Rudolf
Completion 2010
Photo: Ivan Němec
Aleš Veselý v prostorách Josefa Pleskota, Litomyšl
Curator: Jiří Lammel
Completion 2009
Foto: Martin Polák
Entrance space of Nostický Palace in Prague
Collaboration with Jan Albrecht, Zdeněk Rudolf
Completion 2009
Photo: Jan Malý
Sonberk a.s., Winery in Popice
Collaboration with Isabela Grosseová, Andrej Škripeň, Zdeněk Rudolf, Jiří Trčka, Petr Sýkora (interior)
Completion 2007
Photo: Ivan Němec
The New ČSOB Group Headquarters in Prague-Radlice
Collaboration with David Ambros, Pavel Fanta, Markéta Jurečková, Helena Kohlová, Daniel Kříž, Zdeněk Rudolf, Jiří Trčka
Completion 2006, interior 2007
Foto: Ivan Němec
Reconstruction of the Litomyšl Chateau Brewery - western part
Collaboration with Pavel Fanta, Isabela Grosseová, Daniel Kříž, Veronika Vašková-Škardová
Completion 2006
Photo: Jan Malý, Tomáš Souček
A2, A3 and A5 U Nemocnice Apartment Houses in Litomyšl
Collaboration on A2, A3 with David Ambros, Pavel Fanta, Radek Lampa, Zdeněk Rudolf; on A5 with Zdeněk Rudolf, Jiří Trčka, Veronika Vašková-Škardová
Completion 2002, 2005
Photo: Jan Malý, Tomáš Souček
Prague ZOO Lecture Hall
Collaboration with David Ambros, Isabela Grosseová, Zdeněk Rudolf, Jiří Trčka, Jiří Vorel (artistic cooperation)
Completion 2004
Photo: Petra Hajská
Studio Extension to the Ševčík Residence in Prague - Krč
Collaboration with David Ambros
Completion 2003
Photo: Jan Malý, Tomáš Souček
Apartments in the attic at Vinohrady, Dykova, Řipská
Collaboration with David Ambros, Radek Lampa and Zdeněk Rudolf
Completion 2002
Photo: Jan Malý
Consulate General of the Czech Republic in Munich, Germany
Collaboration with Radek Lampa (competition), Zdeněk Rudolf, Jitka Svobodová, Pavel Zvěřina
Completion 2002
Foto: Jan Malý, Tomáš Souček
Reconstruction of the Loučná Riverbank in Litomyšl
Collaboration with Pavel Fanta, Isabela Grosseová, Jiří Trčka, Veronika Vašková-Škardová
Completion 2002
Foto: Jan Malý, Tomáš Souček
M. Family Residence in Lhota u Dolních Břežan
Collaboration with Zdeněk Rudolf, Filip Tittelbach
Completion 2002
Photo: Tomáš Souček
Jelení příkop Pathway at Prague Castle
Collaboration with Pavel Rydlo, Jiří Trčka;
Jitka Svobodová, Zdeněk Rudolf, Jiří Trčka, Jana Vodičková Kantorová;
Isabela Grosseová
Completion of phase 1 in 1998, phase 2 in 2002, phase 3 in 2003
Foto: Jan Malý, Tomáš Souček
K. Family Residence in Lipence
Collaboration with Peter Lacko, Radek Lampa, Jiří Trčka, Isabela Grosseová (interior)
Completion 2001
Foto: Jan Malý, Tomáš Souček
Adriena Šimotová / Retrospect
National Gallery Prague, Veletržní palác
Collaboration with Jiří Trčka
Curator: Pavel Brunclík
Completion 2001
Foto: Jan Malý
10 století architektury, 20. století - Místo pro náš život
Prague Castle, Prague
Collaboration with Pavel Fanta, Pavel Rydlo
Curators: Miroslav Řepa, Zdeněk Lukeš
Completion 2000
Foto: Jan Malý
BDO Administrative Buildings in Prague-Krč
Collaboration with Radek Lampa, Zdeněk Rudolf, Filip Tittelbach
Completion 2000
Foto: Jan Malý, Tomáš Souček
Metrostav Administrative Buildings in Prague-Libeň
Collaboration with Peter Lacko, Radek Lampa, Zdeněk Rudolf, Jitka Svobodová
Completion 2000
Photo: Jan Malý, Tomáš Souček
Beyond Preconceptions: The Sixties Experiment
National Gallery Prague, Veletržní palác
Collaboration with Milena Kalinová, Peter Lacko
Curators: Jana and Jiří Ševčík
Completion 2000
Foto: Jan Malý
Prague ZOO Hayloft
Collaboration with Radek Lampa, Zdeněk Rudolf, Pavel Rydlo, Jiří Trčka
Completion 1999
Foto: Jan Malý, Tomáš Souček
Apartment House in Horažďovice
Collaboration with Radek Lampa, Zdeněk Rudolf, Filip Tittelbach
Completion 1998
Foto: Jan Malý, Tomáš Souček
Czech Embassy in Berne, Switzerland
Collaboration with Peter Lacko, Radek Lampa, Zdeněk Rudolf, Pavel Rydlo, Jitka Svobodová, Jana Vodičková-Kantorová
Completion 1997
Photo: Jan Malý, Tomáš Souček
Ateliér Karla Malicha, Praha Uhříněves
Collaboratin with Filip Tittelbach
Completion 1997
Foto: Jan Malý
Reconstruction of Lví dvůr at Prague Castle
Collaboration with Vladimír Krajíc, Radek Lampa, Zdeněk Rudolf, Jana Vodičková-Kantorová
Completion 1995
Foto: Jan Malý, Tomáš Souček
Benešov Town Hall
Collaboration with Radek Lampa, Zdeněk Rudolf, Jana Vodičková-Kantorová
Completion 1995
Photo: Jan Malý, Tomáš Souček
Villa in Vrané nad Vltavou
Collaboration with Vladimír Krajíc, Radek Lampa, Zdeněk Rudolf, Marek Švimberský, Jana Vodičková-Kantorová
Completion 1995
Photo: Jan Malý
Megafyt Factory in Vrané nad Vltavou
Collaboration with Radek Lampa, Peter Lacko, Zdeněk Rudolf
Completion of phase 1 in 1993, phase 2 in 1995, phase 3 in 1996
Photo: Jan Malý, Tomáš Souček
Památník bitvy u Jankova
památník, krajinářská úprava
Colaboration with Jana Vodičková
Completion 1995
Photo: Jana Vodičková
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